Intro:


Hindustani Classical Music is also termed as Northern Classical Music or Shastriya Sangeet.

It is an ancient musical form of India that emerged from a cultural synthesis of the Vedic chant tradition and traditional Persian music (Kaufmann, 1965).

The two main Elements of Hindustani music are Raga and Tala. Raga is based on Swara while Tala Provides rhythmic beats. The central notions in this music are Ragas, which are described as musical compositions capable of inducing specific moods or emotions.

Let us Review on the basic Definitions which would be helpful for theory & practical purpose.
  • Definitions related to Raga
  • Definitions related to Laya
  • Some other Definitions

'MUSIC lets me forget bad experiences. you cannot keep Ragas and regrets in your minds together'
                               -- Ustad Bismillah Khan



Location: Vadodara, Gujarat, India

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The Ten Thaats: (Cont..)

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The Ten Thaats:

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Pt. Vishnu Narayan Bhatkhande (1860-1936) was the first musicologist who wrote modern treatise on Hindustani Classical Music. Pt. Bhatkhande named his Thaats according to the name of Raga. Janak Ragas are the Ragas on which Thaats are named. Pt. S. N. Ratanjankar in his book ‘Sangeet Paribhasha (1973), explained 32 Thaat System which was not so popular. 10 Thaats according to Pt. Bhatkhande are as follows:                              These were 5 (Five) Thaats and their detailed description. th next 5 Thaats will be explained in the next Blog. 
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THAAT/ MELA ( થાટ / મેલ ) Out of 12 Swaras, formation of seven swaras from which Raga originates is termed as Thaat/Mela ( મેલ ).  Thaat cannot be sung and does not require Vadi-Samvadi or Singing time. Features of Thaat: There must be a group of 7 (Seven) Swaras in a Thaat. Swaras in Thaat should be in their natural orders.                 For example, ‘Sa, Re, Ga, Ma, Pa, Dha and Ni’—This order should be maintained.                      There is an exception in case of Komal and Tivra Swaras.                 For example, Komal ‘Re’ and ‘Dha’ are used in Thaat Bhairav while                                         Tivra ‘Ma’ in Thaat Kalyan. While screening at Aroha and/or Avaroha one can identify the Thaat. Thaat is not sung or played. Thaat does not require Vadi-Samvadi, Pakad, Aalap-Taan or Time of performance. Thaat does not give pleasant/melodious voice. Each Thaat is named according to its Raga name.                 For e
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